Precarious Rhapsody: Semiocapitalism and the pathologies of post-alpha generation by Franco ‘Bifo’ Berardi. Edited by Erik Empson & Stevphen Shukaitis Translated by Arianna Bove, Michael Goddard, Giuseppina Mecchia, Antonella Schintu, and Steve Wright
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An infinite series of bifurcations: this is how we can tell the story of our life, of our loves, but also the history of revolts, defeats and restorations of order. At any given moment different paths open up in front of us, and we are continually presented with the alternative of going here or going there. Then we decide, we cut out from a set of infinite possibilities and choose a single path. But do we really choose? Is it really a question of a choice, when we go here rather than there? Is it really a choice, when masses go to shopping centers, when revolutions are transformed into massacres, when nations enter into war? It is not we who decide but the concatenations: machines for the liberation of desires and mechanisms of control over the imaginary. The fundamental bifurcation is always this one: between machines for liberating desire and mechanisms of control over the imaginary. In our time of digital mutation, technical automatisms are taking control of the social psyche.
Franco Berardi Bifo is a contemporary writer, media-theorist and media-activist. He founded the magazine A/traverso (1975-1981) and was part of the staff of Radio Alice, the first free pirate radio station in Italy (1976-1978). He is author of numerous books, including Cyberpunk, The Panther and the Rhizome, Politics of Mutation, Philosophy and Politics in the Twilight of Modernity, andThe Factory of Unhappiness. He is currently collaborating on the magazine Derive Approdi as well as teaching social history of communication at the Accademia di belle Arti in Milano.